About me

I use painting to explore what resists language—an interior space where memory, body, and emotion surface and dissolve. My process is intuitive and layered, built through repetition, erasure, and gesture, allowing forms to emerge without becoming fixed. My work moves between structure and release. Repetitive marks create rhythm and containment, while looser gestures interrupt and unravel that order. Though abstract, the paintings often hover at the edge of figuration—traces of bodies or presence appear and fade, inviting recognition without certainty. Color carries emotional weight. Saturated reds and flesh-like tones evoke intimacy, tension, and vulnerability, guided more by sensation than description. Each painting holds a moment of becoming—where identity, memory, and perception remain fluid and unresolved.